- #Overloop travelling without moving update
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They added, ""Sends me into hyperspace when I see her pretty face." – and it's not just the lyrics that are harping back to some of disco's more amusing space-age phases on this Jamiroquai single.
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ĭaisy & Havoc from Music Week's RM Dance Update praised the track, giving it five out of five. The album version sparks with live instrumentation that breathes considerable depth into the chorus, while David Morales' remix has a more glossy tone that will sound awesome on a crowded club floor." Caroline Sullivan from The Guardian stated in her review of the album, that "Cosmic Girl", "which employs buoyant Earth, Wind and Fire-style harmonies, is fine". He noted that here, Jamiroquai "craftily combines classic soul nuggets with the disco-soaked house music that has everyone gleefully twirling these days. Justin Chadwick from Albumism wrote, "Replete with synth and string-blessed rhythms, the propulsive, disco-tinged "Cosmic Girl" finds Jay Kay serenading an irresistible, otherworldly woman akin to "some baby Barbarella”." Larry Flick from Billboard described it as "dreamy" and "more radio-friendly". In the United Kingdom alone, the song has sold 250,580 copies as of March 2017, and is also their second-most-streamed track, with more than 78 million plays on Spotify and a further 66 million views on YouTube. In 2019, it was remixed by French DJ Dimitri From Paris. In 2006, it was reissued as part of the "Classic Club Mixes" series, which also included "Space Cowboy", " Deeper Underground", " Love Foolosophy" and "Alright". Live versions usually last for 7–8 minutes, nearly double the duration of the album version.
While the single, and especially its chart performance, received mixed reviews from critics, it has become one of the better-known tracks of the band, and a concert staple. A disco-era aura is achieved by incorporating early electronic synthesizers along with disco-style string parts also produced by synthesizers. Jamiroquai's psychedelic lyric evokes a spacey environment, using terms such as "zero gravity", "hyperspace", "galaxy" and "quasar". Coincidentally, the first four beats of this pattern are the same as the George Gershwin song " I Got Rhythm". The syncopated rhythm contains 10 pulses which occur inside a 32-beat pattern, with pulses on beats 4, 7, 10, 13, 16, 19, 22, 25, 27, and 30. "Cosmic Girl" is a disco song, based on rhythmic " looped beats" "to give it an off-centre, otherworldly" sound. "Slipin 'N' Slidin'", just like "Mr Boogie", also has a vocal version. The B-side to the single is an instrumental, "Slipin' 'N' Slidin'", a song originating from another Jamiroquai track called "Mr Boogie", which was a live-only song. The song achieved great chart success, peaking at No. The song was released in the United Kingdom on 25 November 1996 via Sony Soho Square and in the United States in 1997 via Work Group.
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Via the free Bandcamp app, plus high-quality download in MP3, FLAC and more." Cosmic Girl" is the second single from British funk and acid jazz band Jamiroquai's third studio album, Travelling Without Moving (1996). Includes unlimited streaming of UVB76-LP001 : Smoke Signals The album is a statement of intent for Overlook, only three collaborations are featured across the album and it’s truly the sound of the young artist being comfortable in the specific niche he has created and blossoming into one of electronic music’s most promising talents
The foundation of the project may well be drum n bass but the building itself is so much more than that, equal parts dance music and soundtrack influence.
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A music maker that has earned himself fans and respect by shaping his craft with a series of well -considered releases, not shouting for the rooftops but instead letting the music do the talking, something very novel in the age of social media led insecurity.įor UVB-76 to release Overlook’s debut LP felt like a natural step for both parties. Overlook as an artist fits perfectly into UVB76’s ethos. UVB-76, the record label from Gremlinz and Ruffhouse, is only concerned with carrying out its vision supporting artists that it genuinely believes in and pays no mind whatsoever to trends.
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